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The Long Silence

At the end of time, billions of people were seated on a great plain before God’s throne. Most shrank back from the brilliant light before them. But some groups near the front talked heatedly, not cringing with cringing shame – but with belligerence.

“Can God judge us? How can He know about suffering?” snapped a young brunette. She ripped open a sleeve to reveal a tattooed number from a Nazi concentration camp. “We endured terror … beatings … torture … death!”

In another group a black boy lowered his collar. “What about this?” he demanded, showing an ugly rope burn. “Lynched, for no crime but being black !” In another crowd there was a pregnant schoolgirl with sullen eyes: “Why should I suffer?” she murmured. “It wasn’t my fault.” Far out across the plain were hundreds of such groups. Each had a complaint against God for the evil and suffering He had permitted in His world.

How lucky God was to live in Heaven, where all was sweetness and light. Where there was no weeping or fear, no hunger or hatred. What did God know of all that man had been forced to endure in this world? For God leads a pretty sheltered life, they said.

So each of these groups sent forth their leader, chosen because they had suffered the most: a Jew, a black person, someone from Hiroshima, a women who was arthritic, and others besides. In the centre of the vast plain, they consulted with each other. At last they were ready to present their case. It was rather clever: before God could be qualified to be their judge, He must endure what they had endured. Their decision was that God should be sentenced to live on earth as a man.

Let him be born a Jew.
Let the legitimacy of his birth be doubted.
Give him a work so difficult that even his family will think him out of his mind.
Let him be betrayed by his closest friends.
Let him face false charges, be tried by a prejudiced jury and convicted by a cowardly judge.
Let him be tortured.
At the last, let him see what it means to be terribly alone.
Then let him die so there can be no doubt he died.
Let there be a great host of witnesses to verify it. 

As each leader announced their portion of the sentence, loud murmurs of approval went up from the throng of people assembled. When the last had finished pronouncing sentence, there was a long silence. No one uttered a word. No one moved.

For suddenly, all knew that God had already served His sentence.

Anon

Seeing with fresh eyes

Black Lives Matter
– a prayer installation at St Albans Cathedral that makes us think again...

A Last Supper | Lorna May Wadsworth

Quotation from the Cathedral website:

We are deeply grateful to the artist Lorna May Wadsworth who has given permission for us to use her striking painting of A Last Supper as part of a prayer installation in the North Transept. In the painting Jesus is a black man, and so calls us to ‘look with fresh eyes at something you think you know’.

At St Albans Cathedral we stand with the Black Lives Matter movement to be allies for change – building a strong, just and fair community where the dignity of every human being is honoured and celebrated; where black voices are heard, and where black lives matter.

Lorna May Wadsworth explained: 

“Painting the Last Supper altarpiece made me really think about how we are accustomed to seeing Jesus portrayed. Experts agree he would most likely have had Middle Eastern features, yet for centuries European artists have traditionally painted Christ in their own image. I cast Jamaican-born model, Tafari Hinds, as my Jesus to make people question the Western myth that he had fair hair and blue eyes. My portrayal of him is just as ‘accurate’ as the received idea that he looked like a Florentine. I also knew that, from a previous portrait of Tafari, there is something in his countenance that people find deeply empathetic and moving, which is the overriding quality I wanted my Christ to embody.” 

The installation can be seen at the Altar of the Persecuted in the North Transept until 31st October 2020