9/11 Kintsugi

Kintsugi in glass, by Kay Gibbons,

9/11 Kintsugi

The 11th September 2001 is forever marked as one of the darkest days in the journey of humanity on this earth.
That day, I was bidden to turn on the television news and I witnessed the second of the planes flying directly into the second of the Twin Towers of the World Trade Center in New York. The sense of horror was deep within me. This was an unbelievable act of demonic terrorism which destroyed not only many innocent lives but also changed forever our perception of what evil human beings are capable of. It brought back the atrocity of World War Two and Nazism. This time, the perpetrators were an Islamist extremist network called al-Qaeda who  planned the attacks on both New York and Washington from Afghanistan.
The first thing that came to my mind was a line from the poem by W.B.Yeats, Easter 1916 – All changed,changed utterly.

And so it has turned out because so much has divided humanity since. The experience of the demonic and the hatred, hurt, prejudice and distrust between people are only part of the legacy of that day and event. What is happening in the Middle East today is only one example of an evil gripping our race.

But, as always, there is also an opposite reaction and view.

One of the sources of prayer and reflection that I turn to is one provided by the Jesuitresource.org  which is part of Xavier University in Cincinnati. (It provides resources in Jesuit education and Ignatian Spirituality.)

On its prayer website, I came across a number of prayers and reflections relating to 9/11 and its aftermath.

I was particularly touched by this reflective prayer from a Hindu source which seems to me to put into words what many felt that day and since:

This sense of moving beyond the destruction and brokenness into a new hope of love is strongly prayed in these words. It is also what drew me to the illustration I have used above. It is a piece of glass sculpture by my dear artist friend, Kay Gibbons.

It is a piece which began as an attempt to fuse blue and green glass together. In the process it broke into 3. So she “played around, had fun, and created something quite different.”

The process in doing this she describes as, This panel has been produced in a ‘kintsugi’ fashion, after the Japanese art of bonding broken ceramics with gold.
Beauty in fracture..
Broken beauty..

It struck me that this resonates with the prayer above. The aftermath of 9/11 could be seen as a spiritually human ‘kintsugi’. Bonding broken people with the gold of repentance and love and with determination to work for a beauty which though broken is nevertheless bonded in hope and as the prayer says, filled with compassion and love.

I have no solutions to what we can do to heal our broken world but another prayer on the Xavier University resource site puts it so movingly and offers an amazing way forward if we would but take it.

One Loving Family

[Mr G. 13th September 2026]

Beauty of the Natural World

Green-veined white butterfly photographed by Gill Henwood.

GREEN-VEINED WHITE BUTTERFLY

My piece last week about Dolly Parton and the reference to her love of butterflies, prompted my friend Gill Henwood to send me photos of a Green-Veined White Butterfly taken in the Lake District.

The green-veined white is quite a common butterfly (though I have never seen it!). Its habitat is hedgerows, woodlands, garden and parks as well as river areas and damp meadows. It can be seen from Spring to October.

In Gill’s photos, it is taking its ease on sedum plants which are currently turning from their summer green to autumn pink/purple.
The Butterfly takes its name from the prominent green stripes on the underside of its wings. One description I read about this is: The so-called green veins on the underside of the adults are, in fact, an illusion created by a subtle combination of yellow and black scales.”
A comment made from folklore is that if you see a white butterfly at the beginning of summer, it will be rainy. If, however, you see a green-veined white butterfly it is a sign that there is hope for a little sunshine!
a different and more spiritual lore is that “the graceful, darting flight of the green-veined white represents seasonal re-birth, fragility and the clean beauty of the natural world.”

This thought makes the green-veined white is a suitable symbol of Creation on a week-end which includes a new ecumenical festival adopted by the Church of England as it joins churches across the globe in celebrating the new Festival of Creation in Christ, marking the worldwide Christian consensus that the Earth should be treasured and protected as a gift from God.

[Mr G & Gill Henwood. 5th September 2026]

Love is like a butterfly ~ Dolly’s symbol

“I just loved them because they were colourful and gentle,
and I just kind of related to them with my own personality.
I don’t want to hurt anybody. Didn’t want to bite. Didn’t want to sting, and I still don’t.
I just kind of claimed them as my little symbol.” ~Dolly Parton~
 

[Mr G. ammended August 30th 2026]

In Praise of Hogweed

Hogweed in Grizedale, English Lake District; photographed by Gill Henwood

Colours, textures, patterns: the slow but steady miracle of flowers unfurling on the forest verge, Grizedale. Even the young leaves bright green are delicate unfolding in the light.

Hogweed is the common name for this native plant in the carrot family, not toxic like the non-native giant hogweed. The Wildlife Trust tells us: “The hollow stems of hogweed were traditionally used in many children’s games as water guns, pea-shooters and swords.” Clearly, it’s been around since the days of foraging hogs (possibly for its root as it’s related to the carrot family), and sword play.

Attracting many insects, hogweed spreads its many seeds but can be welcomed into wild gardens by cutting off the seedheads before they scatter. However, on a winter frosty morning, any standing dried seedheads are glorious, sparkling architectural wonders.

When is a wild plant and flower a weed? Beauty, scent, nectar, and hollow stems for hibernation, all offer a different perspective. Hogs knew better, for they tasted delicious.

“Praise Him, all creatures here below”

[Gill Henwood]

From a doxology on the Holy Trinity, by Bishop Thomas Ken (1637-1710)
It is sometimes linked with St Francis of Assisi and his canticle of the Creatures.
This is the full doxology