Tag: Kay Gibbons

Mothering

The drawing above of the Blessed Virgin Mary and Jesus is by my artist friend, Kay Gibbons. It was recently exhibited in The Oxford Arts Society Show. Kate works in various mediums, especially stained glass; glass sculpture; water colour; sculpture; oil and much more. Her designs are often striking and bold and she has a tremendous eye for colour. To see more examples of her work, visit her on Instagram. (PS, I am a big fan!)

A Thought on Mothering Sunday  from Kay

[Kay Gibbons]

{ ** mothers’ day is kept at another time of the year in the USA and other places}

A Prayer on Mothering Sunday and beyond

Loving God, you have given us the right to be called children of God.Help us to show your love in our homes that they may be places of love, security and truth.
Loving God, Jesus, your Son, was born into the family of Mary and Joseph; bless all parents and all who care for children; strengthen those families living under stress and may your love be known where no human love is found.Loving God, we thank you for the family of the Church. We pray that all may find in her their true home; that the lonely, the marginalized, the rejected may be welcomed and loved in the name of Jesus.Loving God, as we see the brokenness of our world we pray for healing among the nations; for food where there is hunger; for freedom where there is oppression; for joy where there is pain; that your love may bring peace to all your children.
Amen

Art as Healing

Kay Gibbons, artist

In my final two years at Grammar School it was decided that I might be technically challenged if I continued to attempt metal work. The advice I received bemused me a little because it was thought I should do better at Art. I was not noted for my skills with pencil, charcoal or paintbrush! Responding once to a request from my teacher for a self-portrait, I placed paper on the floor, lay down and proceeded to draw an outline of my head onto the paper. A semblance of a nose, two eyes and a mouth, drawn freehand completed the masterpiece. Mr Turner, my art teacher, was not impressed!

However, in one area, I soaked up all that Mr Turner taught us. Half the lessons were about Art Appreciation.  I discovered things like perspective, use of colour and how portrait art differed from landscape. I was introduced to Piero della Francesca, Fra Angelica, Velasquez, Gaugin, Turner, Constable and art movements such as Pre-Raphaelite, modernism and so much more. I learned about the place of art in life and about using one’s eyes and other senses to notice things. Appreciation of other arts such as Music, were to follow. I wish I had been able to talk with Mr Turner later in life. I would have thanked him for opening up such a gift. I have looked at art in many galleries, smaller exhibitions and in studios in of the homes of artist friends. I have also collected many paintings. Each one has its own story to tell. Each is a ‘go to’ when I have needed solace, inspiration or just an insight into the working of the soul.

I have enjoyed many conversations with artists of different kinds from a village potter in a north Essex village to people exhibiting paintings and collages and strange beings sculpted in country fairs or Tate Moderns. I have also got to know artists whom I now count as my friends.
One such is Kay Gibbons and I have used some of her work in my blog entries.
Kay lives now in Oxfordshire but I first became her friend when we were both in the North East.

She was interviewed recently on the Arts Musing Podcast, which is based in Oxford. The subject of the interview was Art as Healing .
She was introduced as a multi-media artist. Her work includes large abstract paintings, fluid sculpture some with sharp angles, drawing, paintings in oil, water colour, etc. She has specialized in stained glass with sections separated by lead as with church stained glass. Her first such stained glass window was a large window installed in the Phoenix ward in Littlemore Hospital, a major mental health unit. Her second window was the Warneford Window, of which there is an illustration in this article.  
Art was, I think, part of a personal self-exploration. It has been a life-long journey and in this respect plays a huge part in her personal development. It is the powerhouse of her creativity and a kind of anchor in times storm, of sadness and loss but also it has a role in bringing a calmness and an enjoyment. Coping with Long Covid has been a particular challenge but out of it her work with glass, in its decorated and colour forms has blossomed. She has come to a deeper understanding of symbolism and of the place art plays in creating wholeness of being. She combines this with a more meaningful association with literature. She says:

“My art is a visual poem with as many interpretations as there are viewers.”

Sometimes what we create takes on a deeper significance … quite unaware , quite unexpectedly.
“Art”, she says, “is a precious gift in us all , whether with a pen, a brush , a chisel , the crafters knife,
 or with thread and needle or a ball of clay … or just a reassuring hand and simple smile.”

As someone who is discovering the place of poetry, of creative writing, of the use of pen rather than brush, I found some resonance in what she says. Mr Turner might even be pleased.” Musicians and writers would understand it too!

Her studio, which is mostly her home, teems with energy and enthusiasm. Examples of the various styles of art bring warmth and joy to the room. A sense of being part of a process of ‘becoming’. She speaks of the day that she recognized that she really was an artist. It brought great joy, (expressed as, Whoosh!) She loves what she is seeking to express because her art speaks when, in other ways, she has no voice. In such circumstances, art becomes a way of communication.
For Kay, art is not just a healing process, for the artist and for many who look on it is an act of contemplation. It digs deep into who we are as well as who the artis is. It is also something to be enjoyed. Kay says that it “it is precious. It can lighten dark spaces. It can be both an anchor and a casting fishing line. It can sculpt words into poems and take us to the furthest stars. It can bring summer to our winter. It is a precious gift not a pressured burden.” That makes a lot of sense to me.

The Warneford Window by Kay Gibbons

I owe a great deal to Mr Turner who helped me to put the appreciation of art firmly into my soul. I owe even more to all the artists who have spoken to me with their work and who have given me insights not only into the creative process but to a way of allowing the soul to communicate with the world. As a Christian, it has also been a way in which God communicates with me. God is the original and constant artist who paints images onto our souls and gives us words to understand them.

Kay is one of those who have helped me to celebrate that. How grateful I am for her creative spirit and the joy with which she shares it. She says that the greatest joy about her art is to share a valuable experience and the excitement of life.
That excitement has been born from many tests, darknesses, disappointments; from, darkness into light. In it, faith has become real; art has become real; We become real.

To see much more of Kay’s art, simply look her up on Instagram.

To hear her on Sally Anne Stewart and Carole Theriault’s Oxford-based Podcast ArtMusings, look it up. I did on Google and it was easy to find.

Finally:   If a teacher has inspired you and helped in your personal development and appreciation in ways like Mr Turner did, don’t wait too long to thank them for the difference and enrichment of  your life which came through them.

[Mr G]

A Lady full of Grace

Mary emerging, a work in progress, a sculpture by Kay Gibbons and photographed by her.
For reflection see the end of the piece below.

Today, August 15th, many Christians celebrate the Blessed Virgin Mary.

There are many interpretations of this festival and much that has been added to the simple picture given of her in the Bible. Theologically it can be argued that Mary is Primus Inter Pares – first among Equals  amongst Christians. She is, of course, also Theotokos – God-bearer. This is what makes her so special a human being.

English Christianity has always had a special relationship with Mary, partly because of the Glastonbury legend that she came to England after the Resurrection and partly because a biblically-based Christianity cannot ignore her. There are more English churches dedicated to St. Mary than any other saint and even those not dedicated to her usually have a ‘Lady Chapel’ which takes its name from her.

The Mary of the Gospel has much to teach Christians about what it actually means to be a Christian. Take the Annunciation for example (Luke 2:26-38).  We see her singled out by God for a very special purpose—the human instrument in God’s plan for the world’s salvation. A young maiden whose faith is deeply rooted in the Jewish tradition is confronted by an angel. His announcement didn’t initially thrill her and she tried to wriggle out of God’s plan with objections and a sense of being unworthy. However, God’s assurances were enough for her to accept her role with humility and obedience. Mary’s ‘Yes’ to God was hard won but total when it came. Her instinctive reaction was to turn things away from herself and when she visited her cousin Elizabeth she was greeted as a woman blessed among women. Mary immediately says the hymn of praise to God which we know as the Magnificat. All her thoughts are rooted in God and from the moment of the Incarnation through to the Crucifixion her concern is for the child she bore at God’s bidding. The best statues of her show her looking at the child in her arms pointing us to Jesus himself. This was her purpose.

Her humility, obedience, praise of God, love and dogged determination to see things through -The Crucifixion where she stood at the Cross when others fled- are all things that should mark out the Christian life. The Orthodox Church calls her ‘Theotokos’ – God-bearer. That is the role of every Christian—to bear Christ to the world. We can learn much from this gentle but at times fiesty, Lady who was truly ‘full of grace’ – praying that we might be too.

The art which heads this article is by my artist friend, Kay Gibbons. It is a work of stone. She was working the stone in garden but was making too much noise and dust. When she told me that she was covered in honey coloured stone dust  I suggested that she might stand nicely on the 4th Plinth in Trafalgar Square, London! Pocketing that irreverent thought, we talked of the effect of bringing the sculpture into the kitchen. It has changed the perception. As Kay said, our perceptions are constantly changing.  Here amongst the kitchen utensils this was true. Mary was, in effect, being rescued from being a figure out of reach (On a pedestal, as it were), into someone who was accessible. That accessibility brings us nearer to the heart of Jesus.  It was St Teresa of Avila who coined the phrase, “God walks among the Pots & Pans.” So Mary emerges in our picture from kitchen artefacts. The white and black lines are traced outlines of chopping and draining boards, pan stands; Kilner jar, even tea bags. Mary is placed among ordinary things. This is not to downgrade her but rather the opposite. She is consecrating with God’s grace the ordinary to make them extraordinary, just as the simple maiden in Nazareth became herself extraordinary  through God’s grace to make her mother of Jesus, Mother of God.

Kitchens are holy places where food is cooked and dishes are made clean. They are also often places where people gather at parties and converse. They have a community role. In Kay’s picture we see something of this and maybe your reflection will find much more.
There is never one way of regarding and contemplating God, Jesus, Mary or the Saints. Or, for that matter, the ordinary, extraordinary people we meet in prayer and in our lives.
In all, and in different ways, we experience the Grace of God at work

Hail Mary, Full of Grace,
Blessed are you among women,
Blessed are you among Christians,
Blessed is the fruit of your womb, Jesus
.

[Mr G]