Category: Uncategorized

Brian Patten, Poet of Human Nature

On October 2nd, it was National Poetry Day in the UK. Even the Archbishop of York took part by reciting a poem on his internet postings. Wisely, he chose to recite a poem by our Poet Laureat, Simon Armitage, who is a Yorkshireman.

The day was observed just a few days after the death of one of my favourite and influential poets, Brian Patten. He died on September 29th.
We shared the same birthday year and month and I was privileged to meet him in the 1970’s not long after his first published poems, Little Johnny’s Confession. I have my signed copy along with several others he also signed.
He had already made a name for himself through an anthology of poems which he shared with Roger McGough and Adrian Henri. ‘The Mersey Sound’ earned them the title, The Liverpool Poets, and it keyed into a remarkable time in that city’s life which began with The Beatles, Cilla Black and all who played at the Cavern Club. The vibrancy of Liverpool is legendary, especially  because so much emerged from characters formed from hardship, poverty and in the face of an under-dog mentality conferred upon it from elsewhere. It is a city of broad culture, amazing architecture and deep humour. The Liverpool poets captured all that and their stated aim to make poetry accessible to all bore great fruit.

Brian Patten was to go on to write poetry which addressed the human condition with humour and with a sense that, at heart, it is love which holds things together. Sometimes this love is mixed with loss and with a searching that gives impetus to our exploring. So, Brian would say that it is often in times of stress people turn to poetry, including many who have dismissed it as, ‘not for them’.
He also said that “poetry helps us to understand what we’ve forgotten to remember. It reminds us of things that are important to us when the world overtakes us emotionally.”

In the 1970’s when I was attempting to deal with what direction my life was seeking to take, including wrestling with what my vocation might be and who I am as a person, it was the poetry of Brian Patten which became one of the anchors in a time of uncertainty.
So I discovered in his collection, The Irrelevant Song, a poem which told me that It is time to tidy up my life! At a pivotal time of personal change I read:

Into your body has leaked this message.
No conscious actions, no broodings
have brought the thought upon you.
It is time to take into account
what has gone and what has replaced it.
Living your life according to no plan,
The decisions are numerous and
The ways to go are one.

The whole poem contained a huge message for me as it addressed inner thoughts, issues and feelings that I had deliberately not dealt with. At the end of the poem I was directed that You must withdraw your love from that which would kill your love.
That came to mean for me the distractions, the claims on me that was wasted in Irrelevance! Time to get serious in my intentions. Otherwise I would discover the power of hurt which leads to self-hate. I was reminded that tenderness is the weapon of one whose love is neither perfect nor complete.
The way forward then was to cultivate that tenderness and kindness, that would set me on a journey towards discovering more and more the power of love. It didn’t take long for me to discover that seeking perfection in love leads to God.

What I discovered in the poetry of Brian Patten was really two things.
One was that poetry has a way of reaching into the heart and soul of life and revealing new meaning. Brian’s style was partly playful and hints of Liverpool humour abound but there is a seriousness which I cannot ignore. It directly touches my very being with challenge and with a call to become more true to oneself.
The other thing I discovered was the power of words and, in their use, the responsibility  that brings. So much pain is caused by the misuse of words! Deliberate hurts thrown into peoples’ lives. There is a warning in Brian’s poem, Having taken to necessary precautions, (Notes to the Hurrying Man p.23)
“Flowers won’t cover the hurts, the half-inch deaths
we pile up; a rose the size of two fists
won’t cover a pinprick of hating.
Dreams larger than ourselves we killed,
not wanting our smallness measured against them…”

So, in another poem, “The Astronaut,” (Little Johnny’s Confession) he suggests,
We will take a trip
to the planets inside us
where love is the astronaut.”

It is this profound insight, which takes me towards an understanding of a poet who began life in poverty and turned loneliness into aloneness and who through experience used words to express the almost inexpressible, which has drawn me to him and helped me on life’s journey.

Photo: National Gallery

Not separated by death…Roger McGough spoke of being laid low by his friend’s death adding, “RIP – Rest in Poetry”
May he find love and joy in the poetry of heaven and in God who gave him the words.

[Mr G ~ 4th October 2025]

Festival of Creation

Haybales in Norfolk. Photo by Julia Sheffield

EQUINOX, AUTUMN & HARVEST
a Festival of Creation

Today, September 22nd, the Earth’s axis and its orbit line up so that both halves of the planet get an equal amount of sunshine. From today, in the Northern Hemisphere, the nights will be longer than the days. This is the opposite case in the Southern Hemisphere
The seasons change. We in the Northern Hemisphere enter officially into the season of Autumn whilst in the South, Spring begins. Both seasons are festivals of Creation.God paints his Earth with colour and beauty ~ Gold and Red in the North and Radiant Green in the South.

The season of Autumn is often associated with the gathering in of the Harvest, when the fruits of the earth are garnished and the fields are mown. The poet Keats called this the season of mellow fruitfulness. He was writing at a different time when the festivals of the Countryside marked the stages of the year, each with its own characteristics of Nature. Today, it is less marked and food production is taken for granted. It  is less about the movement of Creation and more about the packing of supermarket shelves! Quite often, in these days of globalization it is hard to take on board the seasons. Blueberries look about the same and are available for much of the year but their point of origin can be from almost anywhere in the world ~ well. Maybe not the Arctic or its southern equivalent!

Equinox, Autumn, Harvest are ‘Earth Festivals’ through which we can be led to celebrate the gift of Creation and the bountiful goodness of God. At a time when all across the globe humanity is hell-bent on self-destruction and with it ,the destruction of the earth, it is good to remind ourselves that God’s provision for our life on earth is all Gift.

Maybe that’s why I like the poem by John Keble, from his anthology of payer poems, The Christian Year, now sung as a hymn, which centres our praying on God, His Creation, His gifts of nature, and His year-long provision for our needs.
Lord, in Thy Name Thy servants plead, is not sung very often these days but it remains my absolutely favourite hymn for this season.

Lord, in Thy Name Thy servants plead,
 And Thou hast sworn to hear;
 Thine is the harvest, Thine the seed,
 The fresh and fading year.

Our hope, when autumn winds blew wild,
We trusted, Lord, with Thee:
 And still, now spring has on us smiled
 We wait on Thy decree.

The former and the latter rain,
The summer sun and air,
The green ear and the golden grain,
All Thine, are ours by prayer.

Thine too by right and ours by grace,
The wondrous growth unseen,
The hopes that soothe, the fears that brace,
The love that shines serene.

So grant the precious things brought forth
By sun and moon below,
That Thee in Thy new heav’n and earth
We never may forgo.

John Keble 1792-1866

[Mr G. 22nd September 2025]

Saving Sign

Bradwell Chapel Cross from a church near you site

THE SAVING SIGN.  Thoughts on Holy Cross Day September 14th 2025

One of the most sacred sites in Essex is the simple Chapel of St. Peter on the North Sea shore at Bradwell. It is all that remains of a more extensive monastery which was originally built there by St. Cedd. He was one of twelve Anglo-Saxon boys who had entered the monastery at Lindisfarne, founded by St. Aidan. It was the Irish custom to build monasteries in remote places and there to train up young  people to be apostles for Christ. St Aidan, trained on Iona adopted this practice with the Anglo-Saxons of Northumbria
Once trained, they were sent out to proclaim the Good News of Jesus Christ. So, St Cedd left Lindisfarne and sailed down the North Sea coast before landing, in 654 AD, at Bradwell. Here he founded a monastery and from where the Gospel was proclaimed to much of Essex.

The Chapel of St. Peter at Bradwell has enjoyed mixed fortunes, even for a time being used as a barn but today it is a simple reminder of the Gospel coming to Essex.
Its interior is of breathtaking simplicity, the only adornment being a beautiful Cross, designed by the Church artist, Francis William Stephens.
On it are painted figures of The Blessed Virgin Mary and St. John and above the figure of Christ is a depiction of the Hand of God in an act of blessing. St. Cedd kneels at the foot of the Saviour. On either side of Christ are the faces of St Peter and St. Paul. Christ is shown with a halo marked by the cross and his arms are outstretched in blessing. This is a figure not of grotesque suffering but of triumphant victory.

It is an artistic representation of the Crucified as shown to us by St. John for whom the Cross is a sign of Triumph – of a completion of the saving work of Father and Son. Michael Ramsey, former Archbishop of Canterbury, commenting on St. John’s portrayal of the Passion of Christ says that on Calvary Christ ‘Reigns’ as he accomplishes his Father’s will and fulfils the Scriptures. This was his moment of supreme glory.’
Michael Ramsey makes the comment:
“Calvary is no disaster which needs the Resurrection to reverse it, but a victory so signal that the Resurrection follows quickly to seal it.”
Celtic/ Anglo-Saxon  Christianity which fed the soul of St. Cedd  was inspired by  St. John’s understanding of the Cross.  The Cross was seen as the ‘Saving Sign’ and its victory dominated spirituality and mission. They had a firm belief in the power of the Cross to transform hearts and lives.

Visitors to ‘Celtic’ countries like Ireland, Scotland and Wales will be familiar with the High Crosses, elaborately carved with biblical scenes from both Old and New Testaments all contained within the form of the Cross. These were (and still are) sermons in stone offering the onlooker a way into Scriptural truths of Salvation brought to our world by Christ. They are the Waymarks for the soul’s spiritual journey marking out the earth for God and leading the people towards eternal life.
They were often preaching posts – wayside pulpits at which the missionaries stood and proclaimed the Gospel and claimed souls for Christ.
I think of the magnificent Ruthwell Cross in Dumfrieshire which is carved with Old & New Testament scenes. It stands today in a small church, rescued from oblivion by a Church of Scotland minister at the end of the 19th century, but it once stood on the shoreline, a gathering point for those who would hear of Christ’s triumph and Victory of the Cross preached to them by monks from as far away as Lindisfarne and Durham.
It is unique also because carved around the edges are Anglo-Saxon Runes which depict part of the oldest English poem, The Dream of the Rood.

When Cedd came to Essex, he came in the power of the triumph of the Cross. He sailed from Lindisfarne and by tradition he would adopt the Irish custom of placing the Cross of Christ in the prow of his boat so that he was constantly reminded in whose name and service he sailed.
No doubt, like so many Celtic and Anglo-Saxon Christians he practiced the Cross prayer – which involved hours of standing with arms outstretched in the Cross position.
Celtic praying included a gathering at the Cross for daily prayer. An eighth century monastic rule says:
“The monks should follow the head monk (abbot) to the cross with melodious chants, and with abundance of tears flowing from emaciated cheeks”, in imitation of a daily prayer office sung in Jerusalem at the Church of the Resurrection – the church built by the Emperor Constantine which gave rise to today’s special observance of the Holy Cross.
Hymns would be sung and the people would move slowly around the Cross – not unlike what happens today in modern Taizé which has done much to restore the Cross to the heart of Christian devotion.

Hardly surprising that the Cross has such a central place in the worship at Taizé which was born out of the ravages and destruction of a war- destroyed Europe and which preached Reconciliation as its central message.
As the stone crosses reclaimed Celtic and Anglo-Saxon Britain, so Europe was reclaimed for God and the hearts of the people led back to Christ.  As the problems in the Ukraine, Gaza and other troubled areas of the world are showing us that reclaiming for God is on-going and always vital. We must go on proclaiming that the Victory of the Cross overcomes all evil. It is this Victory which is the about love transforming a disfigured and at times enslaved humanity.
As a prayer from Taize puts it:

Through the repentance of our hearts,
And the spirit of simplicity of the beatitudes,
You clothe us with forgiveness, as with a garment.
Enable us to welcome the realities of the Gospel
With a childlike heart,
And to discover your will,
Which is love and nothing else.

Here we are brought to the heart of the Cross’s message – the Victory of love. Not only sin and death are defeated by love but also those other things which afflict our lives and drag us down. In the face of evil, pain, hurt and uncertainty, the Cross becomes a protection – the Saving Sign.

There is a Passiontide Prayer which includes the lines:
Yea, by this Sweet and Saving Sign,
Lord, draw us to our peace and thine.

[Mr G]

Ruthwell Cross
Photo: Mr G